As July led to August 1939, producer David O. Selznick decided that Gone With the Wind deserved the grandest main title in movie-making history. He shared his desire with film editor Hal Kern. Kern came up with a brilliant idea: Have the G appear, fill the screen and...
In late July 1939, producer David O. Selznick and film editor Hal Kern were feverishly editing Gone With the Wind, cutting scenes, adding different takes of scenes and pruning the existing footage. So from day to day the running time of Gone With the Wind went up and...
Rumors swirled around the city of Atlanta that Hollywood planned to debut Gone With the Wind in Los Angeles. Or maybe New York. But definitely not Atlanta. These claims were so upsetting to local merchants, who had dreams of a business bonanza resulting from an...
Working through the steamy days of July 1939, producer David O. Selznick and film editor Hal Kern had compiled a five-hour rough-cut version of Gone With the Wind that was shown to cast and crew. Selznick presented to each of his stars a leather-bound copy of the...
In July 1939, producer David O. Selznick and film editor Hal Kern undertook a staggering task: Review all of the footage filmed for Gone With the Wind and assemble a rough cut of the movie. The various units had shot approximately 449,512 feet of Technicolor film,...
