In April 1939, producer David O. Selznick recognized that the grueling pace of filming Gone With the Wind was taking a toll on his cast and crew, especially director Victor Fleming. On April 14, Selznick confided in a memo to executive staff that Fleming “is so...
Clark Gable had finally had it with the Gone With the Wind wardrobe made for him by the Selznick International costume department. The shirt collars choked him, and the suits and cravats were ill fitting. He complained to producer Selznick, who, in turn, spoke to...
On March 13, 1939, David O. Selznick wrote a memo to Production Manager Raymond A. Klune concerning the dramatic use of color in Gone With the Wind’s costumes. The producer impressed upon Klune that the costumes should symbolize “the changing...
To replace George Cukor, Selznick approached Metro-Goldwyn-Mayer (MGM) contract director Victor Fleming. Fleming was not interested in taking over the directorial reins of the troubled Gone With the Wind. At the time, he was manic with Munchkins on the set of The...
On February 14, 1939, when technical adviser Susan Myrick arrived on Gone With the Wind’s set, she took one look at the gloomy faces of crew members, watched them whispering in small groups and realized that something was going on. She asked assistant director Eric G....
